概要
特徴
- 階層的フレーズ構造の分析支援
- フレーズ構成音の頂点らしさ分析支援
- フレーズ単位でのインタラクティブ表情付け支援
News release
- (9/13) CrestMuseシンポジウム 2010 でデモンストレーションを行いました。
Mixtract による演奏表情付けの流れ
【動画解説|システムを使った表情付け手順】
- まずは楽譜を開き,単純に聞いてみています。
- メロディの一部分をドラッグし,「フレーズ」を指定していきます。
ある程度入力が進むと,自動的に上下の階層のフレーズが生成されます(この 動画では上の階層のみ生成しています)。 - 最初のフレーズをダブルクリックすると別画面が現れます。
画面の下側は,演奏表情を書き込むところです。まずは強弱を,次にテンポを手書きで入れてみます。 - 聴いてみると何やらヘンです。ということで,演奏表情を修正してみます。
- 他のフレーズについても同様に,演奏表情を入れてみます。
- 上の階層のフレーズについても同じように演奏表情(強弱)をつけてみます。メイン画面にある楽曲全体の強弱カーブ(ふたこぶの山)に注目してみてください。下の階層のフレーズふたつに与えた強弱カーブが,形を残したまま反映されているのが見えます。
- 同様にテンポカーブも入れておきます。
- ちなみに,指定した長さの範囲で和声記号を入力できるようになっています。
- このようにして,それぞれのフレーズの長さに合わせた演奏表情を入力して行くことで,楽曲全体のフレーズ表現ができあがっていきます。この事例でのとりあえず完成版をお聴きください。
(おわり)
参考文献
5289163
Mixtract
ieee
50
date
desc
title
1185
https://m-use.net/wp-content/plugins/zotpress/
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M. Hashida, S. Tanaka, T. Baba, and H. Katayose, “Mixtract: An Environment Designing Musical Phrase Expression,” in Proceedings of Sound and Music Computing (SMC) 2010, 2010, pp. 21–24.
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M. Hashida, S. Tanaka, and H. Katayose, “Mixtract: A directable musical expression system,” in 2009 3rd International Conference on Affective Computing and Intelligent Interaction and Workshops, Sep. 2009, pp. 1–6. doi: 10.1109/ACII.2009.5349553.
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田中 駿二, 橋田 光代, 片寄 晴弘, "演奏表情付けシステムのためのユーザ主導型音楽構造分析," 研究報告音楽情報科学(MUS), vol. 2009-MUS-81, no. 23, pp. 1–7, Jul. 2009, Accessed: Dec. 05, 2018. [Online]. Available:
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田中 駿二, 橋田 光代, 片寄 晴弘, "ユーザとのインタラクションプロセスを前提とした楽曲構造分析," 全国大会講演論文集, vol. 第71回, no. 人工知能と認知科学, pp. 225–226, Mar. 2009, Accessed: Mar. 15, 2019. [Online]. Available:
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橋田光代 and 片寄晴弘, “Mixtract: ユーザの意図に応える演奏表現デザイン支援環境,” presented at the 第17回大阪大学保健センター 健康科学フォーラム「音楽とウェルネスの学際的融合」, 2009, pp. 36–37.
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M. Hashida, Y. Ito, and H. Katayose, “A Directable Performance Rendering System: Itopul.,” in NIME, 2008, pp. 277–280.
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伊藤洋介, 橋田 光代, 片寄 晴弘, "複数の生成プロセスが制御可能な演奏生成システム「Itopul」," 情報処理学会研究報告音楽情報科学(MUS), vol. 2007, no. 127(2007-MUS-073), pp. 45–50, Dec. 2007, Accessed: Nov. 09, 2018. [Online]. Available:
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橋田 光代, 長田 典子, 河原 英紀, 片寄 晴弘, "複数旋律音楽に対する演奏表情付けモデルの構築," 情報処理学会論文誌, vol. 48, no. 1, pp. 248–257, Jan. 2007, Accessed: Nov. 09, 2018. [Online]. Available:
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M. Hashida, N. Nagata, and H. Katayose, "Pop-E: A performance rendering system for the ensemble music that considered group expression," in Proc. of International Conference on Music Perception and Cognition (ICMPC), 2006, pp. 526–534. [Online]. Available: